Here’s a song I didn’t quite get until I saw it onstage: “The Brotherhood of Man” from How to Succeed in Business Without Really Trying. Frank Loesser’s score for that show is quite good but not really excerptable—sure, all the songs are à propos to the script but well-written as they are, they pretty much […]
Read MoreGeorge Gershwin is my official “Favorite Composer.” After all, you have to have an answer ready when people ask that question, and Gershwin’s music is certainly very close to me—like my own skin, my own blood. Gershwin songs are usually very cheerful, but they always have just a hint of melancholy, like chocolate that is […]
Read MoreFor me, “Follies” is the greatest of all modern musicals. But it’s almost impossible to get it just right in production. James Goldman’s book is difficult—brilliant but somewhat flawed—so it needs a subtle, clever director. The cast is large, and everyone, from supporting players to leads, has to have depth and a fierce kind of […]
Read MoreI have loved the song “If You Hadn’t But You Did” ever since I heard the original cast recording of Two on the Aisle (where it was performed by powerhouse Dolores Gray, who sounds as if she could sing Amneris). Cy Coleman is at his peak, and lyricists Betty Comden and Adolph Green do a […]
Read MoreWe have tickets to see American Dance Machine for the 21st Century next Saturday night. They are a group that revives classic dance sequences from musicals, and apparently they do superb work. In the last few years I have discovered a primal relationship to Broadway dancing, and when those hoofers go into action I usually […]
Read MoreThis week our SoTD curator is Laura Lee Everett, the Director of Artistic Services at OPERA America, who’s had a long and varied career in opera—stage managing, mentoring young artists, facilitating the creation of new works, and more—at companies all across the U.S., from Alaska to Virginia. (She’s also helped NYFOS present our NYFOS Next […]
Read MoreThis week our SoTD curator is Laura Lee Everett, the Director of Artistic Services at OPERA America, who’s had a long and varied career in opera—stage managing, mentoring young artists, facilitating the creation of new works, and more—at companies all across the U.S., from Alaska to Virginia. (She’s also helped NYFOS present our NYFOS Next […]
Read MoreThis week our SoTD curator is Laura Lee Everett, the Director of Artistic Services at OPERA America, who’s had a long and varied career in opera—stage managing, mentoring young artists, facilitating the creation of new works, and more—at companies all across the U.S., from Alaska to Virginia. (She’s also helped NYFOS present our NYFOS Next […]
Read MoreThis week our SoTD curator is Laura Lee Everett, the Director of Artistic Services at OPERA America, who’s had a long and varied career in opera—stage managing, mentoring young artists, facilitating the creation of new works, and more—at companies all across the U.S., from Alaska to Virginia. (She’s also helped NYFOS present our NYFOS Next […]
Read MoreThis week our SoTD curator is Laura Lee Everett, the Director of Artistic Services at OPERA America, who’s had a long and varied career in opera—stage managing, mentoring young artists, facilitating the creation of new works, and more—at companies all across the U.S., from Alaska to Virginia. (She’s also helped NYFOS present our NYFOS Next […]
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