No Song is Safe From Us

No Song Is Safe From Us - The NYFOS Blog
 |  Alex Mansoori

Happy Friday everyone! It’s my last day as your tour guide, and since I’ve been in rehearsals for two separate Christmas shows, I figured I would end with a Christmas song. Not only is the song one of my favorite holiday tunes, but it’s also the best-selling single of all time. I’m, of course, referring to Irving Berlin’s “White Christmas”.




 |  nyfos

It’s Throwback Thursday! Isn’t it simply marvelous when we hear a song and we’re immediately transported back to a time and place, just by hearing a few notes. Obviously, it’s better when that reminiscing happens to be a happy memory. It happens to me quite often. I’ll be sitting somewhere and hear background music at a coffee shop or in a grocery store and suddenly, be back in a memory that I have locked to that song. One of those tunes that does it for me is Frank Sinatra’s recording of Jimmy Van Heusen and Sammy Cahn’s “The Last Dance”.




 |  Alex Mansoori

I didn’t grow up listening to the music that my grandparents would call “what the kids are listenin’ to these days”. I never seemed drawn to tune the radio to the station with the top 100 or follow the latest band or singer. Instead, I spent my time listening to Original Broadway Cast Recordings and the great standard singers, like Tony Bennett, Bobby Darin, and Rosemary Clooney. But in college, I found a different singer that was just as good a storyteller as any cabaret luminary I had seen: Colin Hay.




 |  Alex Mansoori

When you are tasked with coming up with “Songs of the day”, it’s a little like being asked
“Which child is your favorite?”. I wouldn’t have an immediate answer, but probably several clarifying questions. Which genre? What mood am I in? For the first day, I then turned to my trusty iTunes library and was completely overwhelmed. So, I turned to the one singer who has never let me down, for some guidance: Rosemary Clooney.




 |  Elliott Hurwitt

Mose Allison was born on a farm outside Tippo, Mississippi, in 1927. He got a college education, interrupted by a stint in the military, and arrived on the New York jazz scene in the early 1950s, a fully-formed musician who soon got steady work as a pianist for saxophonists Al Cohn, Zoot Sims, and Stan Getz, and by the end of the decade was releasing albums in his own name. These records on the esteemed Prestige label, with titles like Back Country Suite, Creek Bank, and Local Color, caused something of a sensation.




 |  Elliott Hurwitt

Champion Jack Dupree was born in New Orleans around 1910 and died in Hanover, Germany, in 1992. Son of a father from the Belgian Congo and a mother of African American and Cherokee heritage, he was orphaned at two and sent to the same Home for Colored Waifs that had provided a musical training ground for Louis Armstrong just a few years earlier. Dupree taught himself piano and embarked on a career playing in juke joints and brothels around the country.




 |  Elliott Hurwitt

They called the Count Basie Orchestra “The Band That Plays the Blues.” Its All-American Rhythm Section (Basie on piano; Freddie Greene on guitar, Walter Page on bass, Jo Jones on drums), was legendary for powering this group, which rose to great popularity in the late 1930s, a bluesier alternative to the more cerebral Duke Ellington sound.




 |  Elliott Hurwitt

“Last Kind Words” isn’t strictly speaking a blues, but it represents song traditions that are surely older, and embodies blues feeling, hard luck and trouble. It is particularly strong in the eerie, the power to chill the blood: so, wishing you all a [late] Happy Halloween.




 |  Elliott Hurwitt

Gladys Bentley (ca. 1907-1960) was one of the biggest stars of African-American entertainment in the 1920s, along with Florence Mills, Ethel Waters, Josephine Baker among female stars at her level, and her stardom lasted through the 1930s. She was typically seen in a white tuxedo, and never, at least in public, as a woman.