This song is full of desperation, and is most expressive in the piano part and harmonic changes. Yet, it is so beautiful. I recommend this recording by Dietrich Fischer-Dieskau & Hermann Reutter.
Read MoreBartók once said that a simple folk melody can accommodate more complicated harmony. And here is a case in point. This descending Dorian tune repeats itself while the text changes, but the piano accompaniment changes quite bit along with the text, from consonance at the beginning to something more dissonant. I learned a great deal from performing this song many years ago.
Read MoreI love this popular song because of the simplicity and charm it brings out from the moving eighth notes on both the voice and piano. Sometimes the least pretentious can be most rewarding.
Read MoreThis three-song set is equivalent to three scenes from an opera. It paints the actions of the text both in reality and in abstraction, but in its most effective way, it depicts an unyielding longing for something unfathomable or unobtainable.
Read MoreI was Lenny’s assistant with Michael when we prepared the premiere of this set of eight songs for mezzo-soprano, baritone and piano four-hands. “Nachspiel” is the last one which has no text and all singers (and pianists, and perhaps the audience) humming together. It is so exquisitely written, touching and beautiful.
Read MoreEdu Lobo and Chico Buarque are some of Brazil’s most celebrated artists of all-time. I chose this video with my father and me performing this song because every other recording of this amazing tune is so overly produced with heavy arrangements and strings; I just wanted to really savor the complexity of this song by keeping it as simple as possible. And what could be more raw than guitar and voice?
Read MoreWhen I first heard this song and saw this movie, I was maybe 10 years old, and lived in the middle of nowhere: a rural part of the third world country Brazil, where culture was really hard to come by. I managed to lay my hands on a pirate copy of this movie and the video looped for days on our newly acquired VHS machine. What a song, what a desert, what a beautiful story. Had I ever heard a voice like that ? NO. It is one of those things I will never forget.
Read MoreI heard Gino Paoli’s “Senza Fine” for the first time in a TV series in Brazil. It was sung by Italian singer Ornella Vanoni in a very sexy arrangement that I loved back then, but soon started sounding quite dated. Years later, a Brazilian singer named Zizi Possi recorded a beautiful and more timeless version of the tune, mixing in a bossa nova accompaniment, while still masterfully retaining the authenticity of the song.
Read MoreI went to France several times as a kid and ended up living there at the age of 15, having been introduced to the wonderful music of Jacques Brel. Though not a Parisian himself (Brel was born in Belgium), he contributed much to our idea of what is a “French” sound today. Brel wrote many songs in his short life, and this is one of my favorites, both for its poetry and for his complete mastery over the language. It is unreal what he does closer to the end of the song as it gets faster and faster …
Read MoreI love the melodic and harmonic sound world of Piazzolla, which is uniquely his own. This is to me the ultimate recording of this song: it features Italian actress/singer Milva, Astor Piazzolla himself and his incredible band. The way the song builds and builds and builds … is just too powerful for words. It always leaves me wanting more.
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