No Song is Safe From Us

No Song Is Safe From Us - The NYFOS Blog
 |  Adrian Rosas

“When You’re Smiling” is a popular song written by Larry Shay, Mark Fisher and Joe Goodwin in 1928. Though it’s been performed by a long list of well known artists throughout the past 89 years, the version which as stuck with me and affected me the most personally has always been that of Dean Martin. […]




 |  Adrian Rosas

Carlos Guastavino, an ​Argentinian composer whose songs ​most often contain fluid melodies and a natural lyricism rooted in the folk traditions of his homeland​. ​There is often a great deal of imagery in the texts that he chooses to set, and the style of his composition is derived from the ​”​huella​”.




 |  Adrian Rosas

As I began to think of some of the songs that I love, my mind immediately gravitated to multiple pieces from the cabaret songs of William Bolcom. Within these volumes of songs, “Black Max” (as it is most commonly known), has always stuck out as a favorite.




 |  Annie Rosen

Shaw’s Pulitzer-winning composition is called Partita for Eight Voices. The voices in question are those of the members of Roomful of Teeth, an a cappella vocal band that fuses styles from all over the globe into contemporary classical music. It’s tough to describe, but seeing them live feels like going to one of the best rock concerts you’ve ever attended in a little club, except it’s also one of the best new music concerts you’ve ever attended




 |  Annie Rosen

In preparation for my sister’s move to Israel this year, I asked her for a list of Israeli pop music I could listen to—you know, for my own edification. “Start with Idan Raichel,” she said. I’d heard of him, I thought, vaguely, but I wasn’t prepared for what his music is actually like. More properly known as “The Idan Raichel Project”—one source puts the number of his collaborators over the years at around ninety—his band aims to unite the diverse cultural threads that make up the Middle East.




 |  Annie Rosen

Singer-songwriter-pianist Regina Spektor is a force of nature. I am not cool enough to have heard of her before she was cool—I encountered her when I saw her music video for “Fidelity,” like everybody else. Remember that song where they were in a totally white room throwing colorful paint or Holi powder or something on each other? And she did that “hea-ah-ah-art” riff with all the glottals? Yeah, I liked that song.




 |  Annie Rosen

“Kafka Fragments” has the dubious, possibly oxymoronic distinction of being a famous piece of contemporary vocal chamber music – that is to say, people in certain circles feel it’s overdone and basically nobody else has ever heard of it. It’s an hour-long song cycle for solo female voice and solo violin, with texts from Franz Kafka’s diaries and letters. The “fragments” range in length from twenty seconds to ten minutes of music. Each is a fiendishly-notated jewel of expression.