Perhaps the most famous contemporary cross-cultural composer, Bright Sheng has an original compositional dialect that combines Western traditions and Chinese traditional and folk music. His music results from both his personal cultural upbringing and his intentional study and research of the principles underlying both nations’ musical traditions. His schooling was primarily in America. However, he is constantly involved in compositional and academic endeavors that strive to blend and define international musical styles.
Read MoreIgor Stravinsky became a naturalized citizen of the United States in 1945. After a little over a decade of living in the United States, Stravinsky entered into what is often referred to as his Serial Period. Arnold Schoenberg and Stravinsky often butted heads in their time, arguing over the future of classical music.
Read MoreAt the turn of the century, political unrest and a new desire (and ability) to travel the world led many classical composers to call America their new home. One such political event was the Russian Revolution, which forced Sergei Rachmaninoff to flee to America around 1918. Though he longed for his home country, he earned great success in front of American audiences.
Read MoreAlthough the February 20th concert will feature many of today’s talented first-generation American composers, the concept of American music being redefined by immigrants is far from a modern phenomenon. Antonín Dvořák, a Czech composer, is a prime example, coming to American around 1892.
Read MoreWhat makes Daniel’s music so riveting is its ability to educate and challenge the ear while also providing small fragments of classical familiarity. His vocal music is always technically challenging, melismatic, romantic, and organic. His song “Khaham keh bar zolfat” challenges our ear with Farsi, an unfamiliar language to most of us, but also provides us with strings of beautiful Persian sounds and language patterns.
Read MoreThis particular song portrays the voice of a woman who has broken free of societal roles and expectations. She sings that through her art, she is authentically herself and is not at the ownership or disposal of anyone or anything. Julia de Burgos was a Puerto Rican civil rights activist who lived from 1914-1953. Traveling between Puerto Rico, New York, and Cuba, she was fully involved in the nationalist philosophies that defined her life.
Read MoreThis terrific remastered original cast recording from the 1953 rendition of Wonderful Town portrays Wreck, a guy who describes his fame and glory days as a student because of his ability to pass the ol’ pigskin. In this hilarious song, Wreck can’t spell, read, or write… but he introduced Albert Einstein, passed the bar exam, had every girl he could ever want, and got every scholarship… because he could pass that football!!
Read MorePerhaps Bernstein’s most well-known work, “Somewhere” has an inherent timeless relevance. It expresses the hope of a world in which conflict is absent and people are able to live without prejudice and hatred. Bernstein spent his entire life being involved in social justice both in the U.S. and abroad. He was famously quoted, “This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before.”
Read More“Little Smary” is an example of Bernstein’s art song repertoire outside of the theater. The words are by Jennie Bernstein (Bernstein’s mother). The story depicts a young girl playing with her “wuddit” (rabbit). The story was a common bedtime story told to Bernstein by his mother.
Read MoreFrom the great theater works of Leonard Bernstein, “A Little Bit in Love” is sung by Eileen, a want-to-be New York actress from Ohio. This delightful song comes from the show Wonderful Town, originally on Broadway in 1953. Eileen and her sister Ruth attempt to hit it big in the Big Apple, only to find themselves entangled in a bunch of mishaps. Eileen, unlike her sister Ruth, is a natural romantic who finds herself “a little bit in love” with many men.
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