I, of course, love Sondheim and this is one of his iconic songs. However, Sondheim (or for that matter any composer, but especially Sondheim) is only as good as the person singing the song and Barbara Cook was the best. I first heard her perform this song at the Café Carlyle and, while I’d seen Follies and heard the song before, I’d never really heard it until then. The song sprung to life right before me.
Read MoreEverybody loves Mavis Staples. She’s an American treasure, best known for providing a soundtrack for the civil rights movement with her family, The Staples Singers, with gospel-tinged classics like “Respect Yourself” and “Freedom Highway.” But today, I want to share my love of her version of a classic song, usually associated with Luther Vandross: “A House is Not a Home.”
Read MoreI first got a glimpse of the band Gato Preto at WOMEX last year. I was seeing 12 bands a night, from all over the world, and they really stood out—African, edgy, and beyond fierce. I had a friend with me who was translating the lyrics, which were unapologetically calling out government corruption. It was this cool, strong woman—Gata Misteriosa—fronting the band.
Read MoreIt is incredible how this simple plaintive melody that begins with a note materializing out of nothing, suspended in space, never fails to affect me profoundly. Whenever I hear George Frideric Handel’s aria “Ombra mai fu,” I am transformed. The work exemplifies the enormous power music has to lift and move one’s spirit.
Read MoreThe universal appeal of these lyrics and the musical sophistication of this composition attract singers and musicians from many musical genres. The blues-inflected chord changes make it a favorite of jazz musicians, and vocalists are drawn to the emotional truth underlying the clever word play.
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