No Song is Safe From Us

No Song Is Safe From Us - The NYFOS Blog
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Artist of the Month features Broadway veteran Mary Testa. She is a two-time Tony Award nominee, for performances in revivals of Leonard Bernstein’s On the Town (1998) and 42nd Street (2001). Ms. Testa will appear in NYFOS’s upcoming gala 30! on March 26 at Carnegie Hall.




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Artist of the Month features British-American tenor Joshua Blue. A current Masters degree student at The Juilliard School, Joshua received the Ellen Lopin Blair award for First Place in the Lyndon Woodside Oratorio-Solo Competition held annual by the Oratorio Society of New York last spring, as well as an Emerging Artist Award in the 2017 Opera Index Competition in New York City. A NYFOS Emerging Artist program alum, Mr. Blue will return to NYFOS at the end of the month in our Protest program in NYC and Hudson, NY.




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Longtime friend of NYFOS Judy Kaye really shows her range on NYFOS’s album He Loves and She Loves. Here’s “My Cousin In Milwaukee” from Pardon My English by George and Ira Gershwin. From the program note for Broadway Orphans by Steven Blier:




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A mainstay of NYFOS’s early years, baritone William Sharp sings “Parc Monceau” (Olaf Bienert, text by Kurt Tucholsky) on Unquiet Piece, an album focused on German song written between the world wars.




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To celebrate NYFOS’s 30th Anniversary Season, Song of the Day is featuring some selections from our commercial recordings. Here is Judy Kaye singing “Dream With Me” from Leonard Bernstein’s Peter Pan, from NYFOS’s Grammy-winner recording Arias and Barcarolles.




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Machiavelli’s La Mandragola was Mark’s next idea, and he eventually convinced Bill that the idea had legs. “I liked it because it was centered around a woman,” Bill told me, “and (in our version) a woman who comes out on top. I had only one proviso: I wanted to set it in Argentina.” Why? “Well, I wanted to write a zarzuela…as imagined by the Marx Brothers.”




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Artist of the Month rings in 2018 with mezzo-soprano Rebecca Jo Loeb. Hailed as “a theatrical performer whose rise to watch” (Opera News), Ms. Loeb is based in Germany and sings throughout Europe and in the US. She recently made a “notable Met debut” (New York Times) as Flora in La Traviata at the Metropoitan Opera. A NYFOS Emerging Artist program alum, who has performed in our Mainstage and gala evenings, Ms. Loeb will return to NYFOS at the end of the month in our tour programs celebrating Leonard Bernstein.




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Our very first Artist of the Month is a longtime friend of NYFOS: Pulitzer Prize-winning composer William Bolcom. He answers our questions about song, singers, and his history with Steve in advance of our NYFOS@Juilliard concert in celebration of his 80th birthday.




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There were many great nineteenth-century singers who sent audiences into a frenzy. Grown men wept when Rubini sang; women fainted at the sound of Giulia Grisi’s voice. But their art lives on only through anecdotes about their performances and descriptions of their timbre. None of them could inspire a program as far-ranging as tonight’s. For Pauline Viardot’s claim to fame was not merely the ephemeral success of a great artist. She made her mark on history by the music she inspired, the composers she nurtured, the works she premiered, and the music she wrote.




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To celebrate NYFOS’s 30th Anniversary Season, Song of the Day is featuring some recordings from our archives, along with excerpts from program notes that accompanied them. (If the recording does not appear below in your email, please click on the title above to play the song on our website.) Снова, как прежде, один (“Again, as before, […]