No Song is Safe From Us

No Song Is Safe From Us - The NYFOS Blog
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As we prepare for W. C. Handy & the Birth of the Blues with program consultant Elliott Hurwitt, we revisit his first week hosting Song of the Day. This song was originally posted on October 29, 2015.

Champion Jack Dupree was born in New Orleans around 1910 and died in Hanover, Germany, in 1992. Son of a father from the Belgian Congo and a mother of African American and Cherokee heritage, he was orphaned at two and sent to the same Home for Colored Waifs that had provided a musical training ground for Louis Armstrong just a few years earlier. Dupree taught himself piano and embarked on a career playing in juke joints and brothels around the country. He was a fine chef, and worked in the culinary arts professionally at several points in his life. Dupree came by the sobriquet “Champion Jack” the hard way. Having gone into the boxing ring at the suggestion of heavyweight champion Joe Louis, he fought over 100 bouts and won Golden Gloves titles, among other distinctions. Considering how many punches he must have landed on who knows how many jaws, it’s a wonder he could play piano at all.

In the 1940s and ’50s Dupree worked on the boundaries of rhythm and blues, folk music, and jazz, with Sonny Terry and Brownie McGhee, among other notables. He was a prolific recording artist, cutting many sides in New York, and had a hit with “Walking the Blues” in 1955. By the end of the 1950s Dupree was spending most of his time in England and Denmark, where he liked the career opportunities and relative lack of race prejudice. A plaque commemorates Dupree’s residence in Halifax, England, his home in later years. In the mid-1960s he recorded in London with some of a new generation of blues-influenced rock n’ rollers, including Eric Clapton and John Mayall.

Dupree asks the time-honored question “Why?” The answer, of course, if “I Don’t Know.” He’s accompanied here solely by the electric guitar of Kenn Lending, a Danish musician who worked with him steadily during the expatriate blues-man’s later years. In his solo, prodded by Dupree to “steal a few notes, steal a few notes,” then “take one more, son!” Lending eases into some blistering high notes. Dupree could stoop to the very low humor, and he must have made a terrible adversary. But his rough good nature and hard-earned mother wit are a tonic in a complicated world.

Elliott Hurwitt

Elliott Hurwitt is a music historian with a background in classical music, now specializing in African-American music of the 1890s-1940s. His publications on W.C. Handy include the Dover edition (2012) of Handy’s seminal 1926 Blues, An Anthology, for which Elliott wrote a new introduction and re-edited the song selections to include songs that had come and gone between the 1926 version, Handy’s revised edition (1949) and the versions following his death (1972/1990).  Elliott also added historically important blues from 1912-1919 by Handy’s friends and rivals for the first time in the Anthology.  Elliott won the Barry Brook Dissertation Prize when he got his PhD from the CUNY Graduate Center. He has appeared on NPR and Public Radio International, and is chief historical adviser on the new documentary Mister Handy’s Blues.  Elliott lives in New York City with his wife Elizabeth, Development Director of Music From Copland House.

Elliott is serving as the program consultant on the upcoming NYFOS program W. C. Handy & the Birth of the Blues on November 14, 2018 at Merkin Hall in NYC. Get your tickets today!

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