No Song is Safe From Us

No Song Is Safe From Us - The NYFOS Blog
 |  Michael Barrett

At our last NYFOS concert we presented a huge song cycle by composer Roberto Sierra. I was drawn to this music’s dark side, and its exploration of uneasy human emotion. Maybe that’s one reason I seem to be drawn to this marvelous music from Spain. Here is some flamenco as sung by Pepe Marchena.




 |  Michael Barrett

La Bien Pagá as sung by Miguel de Molina. A spaniard, he ended up in Argentina. These old musical films are delicious with their emotional drama. This one is about his ex- the “well paid” woman. And she seems so amused! The musical style is like an old zarzuela aria, complete with orchestral interludes between verses, and even a spoken verse toward the end. But it’s Molina’s strange tenor voice, full of melismas and pain that makes this song so interesting to me.




 |  nyfos

Composer/performer Kate Soper talks about her favorite music to sing and the “strange and wonderful world of electronics and the voice” in advance of her NYFOS Next evening on March 28 at the DiMenna Center for Classical Music.




Coming from an Irish family, my earliest memories of hearing live music came from family parties. The ‘adults’ would each take turns singing a song a cappalla in the circle in the living room. And my great grandma – Nana Nana – somehow knew every song. I remember thinking “how could she know all of these songs. Some of them weren’t even in English?” I was fascinated.




 |  Caramoor Center for Music and the Arts

A close friend of mine hosts lively dinner parties mixing exotic foods, unlikely pairings of people, and free flowing spirits. These convivial gatherings last late into the night, fueled by many elements including far reaching conversations. One night following a poignant memorial service, while ruminating on the musical choices of the service, we delved into the songs we’d want sung at our memorials.




 |  Caramoor Center for Music and the Arts

Though it ran on Broadway for more than 4 years and was a commercial success, I’ve never met anyone else who saw The Magic Show, a Broadway musical from the 1970s starring magician Doug Henning. My mother took me to see it when I was 12-years-old, and the main thing I remember is that it included a song about WEST END AVENUE—the street I lived on!




 |  Caramoor Center for Music and the Arts

I grew up in a household full of music. Both my parents are talented amateur musicians and
compulsive singers – you have to find yourself taking care to not say any sing-able phrase aloud
lest the whole family breaks into song mid conversation – even a cheerful “Good Morning” will
either give you Garland and Rooney or, perhaps more often from my flower child mother, “Good
Morning Starshine” from Hair.




 |  Amy Owens

Clarice Assad constantly surprises and delights me with her inventive audio-visual offerings. I discovered this music video and I absolutely love it! Check out her crazy vocal effects around 1:28 and appreciate all the vocal colors that feel like instruments layered throughout. I can’t put it any better way: she’s just cool.